Saang Studio — Client design board
Every direction we have explored for the Peter Ryan photography site, grouped by design direction and told as key steps — five per direction — with every intermediate version folded into the full record. The live demos are retired now that the site is published at pbrphotography.com; this remains as a visual archive of the exploration. All of them share the same monochrome design system (“Obsidian & Light”); they differ in theme, index concept and interaction.
Direction II
A different reading entirely, after Jack Picone: everything at once — the dense wall, the flat story index, the quiet white room.
Step 1 · Version 14 — everything at once
July 12 · branch
archive-wallA documentary-archive reading of the same work, after Jack Picone: all fifty-two photographs at once as a dense wall on a quiet white room. The sidebar becomes the archive — every story listed flat ("Sextile | Record Release"), click one and the wall becomes that shoot. Click any frame and it steps forward into a full lightbox.
Direction I
One frame at a time: the horizontal reel lineage, told in five key steps. Every intermediate version is kept in the full record below.
Step 1 · Version 01 — the baseline
July 5 · branch
simple-designThe design system played straight: crisp white gallery, EB Garamond brand mark, fixed sidebar, full-bleed hero, red reserved for the current page.
Step 2 · Version 03 — the room reacts to the work
July 5 · branch
HUEThe index becomes a horizontal reel of color frames, and the room follows the work: the background subtly tints toward the dominant color of whichever photo sits at center.
Step 3 · Version 10 — real shoots behind every frame
July 10 · branch
albumsEvery index frame now opens a real shoot album, mirroring Peter's own folders — starting with the Sextile record-release set (13 frames). Nine albums wired: Sextile, Horseback, Red Jacket, Pole Nights, Candlelight, Golden House, China Streets, Orchard & Ferry, Trevor. And the room no longer flashes dark on arrival — the first frame's tint is painted from the very first moment.
Step 4 · Version 11 — the arrival
July 12 · branch
landing-heroArrival is a single dark portrait owning the whole right side — then it slowly zooms out and takes its place as the first frame of the reel. The room holds the portrait's tone until you scroll. The sidebar slims from 320px to 240px, giving the work more of the window.
Step 5 · Version 15 — the room becomes the photograph
July 12 · branch
ambienceLatestInstead of sampling a color, the room becomes the photograph itself: the active frame fills the whole window far past focus — dimmed, breathing, crossfading as the reel moves. The sidebar dissolves into it. Every photo carries its own atmosphere; no palette ever needs choosing.
Version 02 — the inversion
July 5 · branch
simple-design-darkThe same bones with the palette flipped: near-black surfaces, light ink, the hero caption block inverting to white. A direct A/B against version 01.
Version 04 — the color reel, after dark
July 5 · branch
HUE-darkVersion 03 in a dark room: photo hues blend into a near-black surface, and the active “Index” link in the sidebar takes on the current photo’s color instead of red.
Version 05 — the interactive index
July 6 · branch
album-viewerBuilt on the HUE reel: click any frame and it becomes an album cover — it dims, a series label appears, and the frames after it repopulate with that album, stacked two per slot. Click again to come back.
Version 06 — the cohesive dark edition
July 6–8 · branch
obsidianOne continuous near-black surface with no seams: the sidebar and every page share the same canvas, the hero hangs like a framed print, and galleries stack two photos per column. The first version carrying Peter’s real client photographs — four series including the new Editorial.
Version 07 — the color reel, for real
July 9 · branch
hue-realThe HUE concept meeting Peter’s actual work — and it turns out his gel-heavy photography is what the idea was waiting for. Nine real frames drive the room: vivid purple around the singer, gold around the horseback story, terracotta around the red jacket.
Version 08 — the whole room
July 9 · branch
hue-immersiveThe tint stops at nothing: the sidebar joins the color of the current frame, so the entire window becomes one breathing room. Text flips black or white to stay legible against each tint, frames sit smaller in more air, and the scrollbar is gone entirely.
Version 09 — one frame per shoot
July 9 · branch
shoot-zoomEvery index frame now stands for one shoot, credited “subject, place, year” (Sextiles, LA, 2023). Click a frame and it expands to fill the whole screen, then zooms back out into the opened shoot — the frame as full-height hero, the rest of the shoot stacked two per slot beside it.
Version 12 — the pause, monochrome
July 12 · branch
dwell-monoThe reel becomes endless — scroll either way and it loops on itself. Rest on any frame and it slowly leans in while the room strips all color: the background sweeps the full black-to-white scale from the frame's light, dark stagework plunging the whole window near-black.
Version 13 — the pause, in color
July 12 · branch
dwell-colorThe color answer to version 12: same endless reel, same lean-in on rest — but the room takes the photo's color almost outright, Sextile purple flooding the whole window. Twelve and thirteen are a direct A/B: monochrome room versus full-color room.